Love Logic. So many of the stock plugins are great. The amps sims and pedalboard are not among them. Definitely worth purchasing some third. Logic’s amp sims are fine. I’ve used them in lots of productions. But I always had trouble fitting them into a mix. A recording of a real amp?
Logic pro x guitar amps review free.Logic Pro Guitar Amps
I’m going to look for the Celestion IRs next. For an acoustic a blend of direct and cab would be right to keep some splang from the ac pickup. Use the Logic pedalboard for pre and post amp effects. I felt like the S-Gear amps reallly had a better “feel”. But I struggled to get a good ac30 tone that felt authentic and also its kind of fiddly I sort of just appreciate the logic ones are quick and easy to get up and running.
Ill give a shot using the logic amp sim into a diff cab sim, that sounds interesting. I think you get a better amp sound using the silver compressor and overdrive plugin, plus a bit of reverb. I decided to ordered a Fryette Power station to hopefully be able to both practice w my main amp and silently record with it Its driving me nuts not being able to use my favorite gear.
Yeah it depends on your style of guitar for sure. My friend does more 90s style tones like Weezer etc and his DI stuff sounds great. But for slightly overdriven stuff that crunches when you hit it harder At least not yet.
I would always use SD in mono like a guitar amp, then turn it into stereo with modulation and delays if you want that. Sometimes when using the Pulse IR loader I’d try a different speaker on each side and that can work. If you have a dense track with a bunch of parts, simpler is better. I usually used the Rosen since you can blend or have a near and far thing loaded. The Celestion IRs to me seem to be the best but they all can work if you mess with them enough.
Sascha Franck. Apart from some clean to slightly chunky tones which you can for example get from the Tweed amps , which I find to be useful, IMO the Logic amps just suck.
Once you’re into overdriven territory, the already mentioned over-compression gets very noticeable in form of excessive noise and almost zero dynamics and yes, I do have a decent input path, in fact more than just one Do yourself a favour and check out the free Ignite Amps. Make sure to set things up right – some are preamps only, but they offer a separate poweramp plugin, plus, they need a cab sim loaded behind. I’m using Space Designer and a bunch of quality IRs for the latter.
Unfortunately, there’s no Vox to be found in that suite and the clean sounds aren’t exactly Fender-ish, either, but you may find some goodies, though. With it came innovative music styles and advances in processing guitar amp modulations. With the fine ax and little mixing skills, one can achieve almost industry-standard tone.
This plugin is not only a complete one but also very visual and easy to understand. It has a lot of different functions with a wide range of tones to choose from. The styles that this amp suits the best are the hard-rock and metal ones ; even so, it can be used for more clean-like sounds and work completely fine.
The price to quality ratio of this plugin is excellent. It shines on home studios as it does a really good job, and having an amp and microphone that sound better is costly.
We will talk briefly about each one and what you can expect them to do. Its variety is absurd, and it will surely deliver the sound you want, as you have lots of EQs and fine-tuning knobs to reach it. First is the preamp, the most complex module, as it has four models to select and four pedals to choose from.
Going from right to left, it goes from a clean sound up to a high-gain aggressive tone. It also has a high pass and a low pass filter, and a three-knob EQ to reach your desired sound. Next, we have both effects, mod, and time; these effects are flanger, chorus, phaser, and delay and reverb.
Its presets range from an API preamp studio to a tube amp live. On top of that, you have a descriptive impulse response section with categories for each sound; these categories are sorted with adjectives, making it easy to get the right tone. Also, know that you can turn off any sub-section you want.
Making it easy to listen to what you are modifying and helping you get to your desired sound. It can be installed on both mac and windows but if you are not sure, it has a free trial that you can try out before purchasing. It has a ton of different nuances to choose from, and its sound quality is high. The re-designed MRH has brought to the digital form the famous classic British tone we all love. Based on the iconic Marshall JCM , the Nembrini Audio came pretty close to the same well-known tone texture and response the hardware one has.
Even the visual design is almost the same. There is a cleaner included with a usual noise gate to clean up some rumbling or harsh frequencies at the end of the line.
The MRH is a complete guitar software that will provide everything you need to get your guitar tone ready here and now. The plugin is available for Windows 7 or higher and macOS MRH is a great tool to jam to your favorite rock classics, record your demo, or reference your tones for the later re-amping.
And even with a few tweaks and add-ons, you are good to publish your music without any other amp. Another advantage is that the MRH plugin has everything you need to get a mix-ready guitar tone.
Everything you need is here. The Chandler Limited GAV19T is a two-channel guitar amplifier that can achieve both classic slightly overdriven guitar tone and near-high gain sound. On the one hand, the interface is quite simple and concise, but you still have many options for achieving the desired guitar tone.
The most important thing about this will be the massive number of impulses based on the most famous types of cabinets and speakers. In addition, you will be able to change the character of your guitar sound thanks to the different bias options. You have all the options you need to change the character of your sound, and over 70 built-in impulses will allow you to dive into mining your tone even more.
You can even try to use it for something around metal, but the rock genre will still suit it best. And the nice thing about it is that the Friedman BE plugin perfectly emulates the sound of this piece of guitar gear. It is a two-channel plugin that emulates the growl of watts, all amplified by EL34 tubes.
You will get a punchy and dynamic tone that can cut through the mix. The Clean Channel, on the other hand, lets you get a nice and clean tone where you need it. Speaking of settings, like in other Brainworx plugins, everything you need for a ready guitar tone is available here, including many impulses.
If you want the legendary Plexi sound of a Friedman BE guitar amplifier, this plugin will be the perfect solution for you. And over cabinet impulses will send you on a journey to dial the guitar tone that suits you best. The Spark plugin from Mercuriall Audio Software will be a real find for fans of Marshall guitar heads. It has quality sound and lots of good production options. Mercuriall Audio is a Russian brand that has already gained an audience among quality amp sim plugins.
One of their most popular products is Spark. Each has its unique sound, as close as possible to the physical prototype. It is also possible to use effects, different cabinets, and microphone impulses. Besides, almost all have two channels each. One of the essential features is changing the tube type of preamp and power amp. So it will be a fantastic opportunity to influence the character of your sound down to the most precise details.
It is also worth noting that the plugin uses simulation with the custom technology of Neural Networks. The plugin is available for Windows Vista or higher and macOS The creators have done an incredible job of making the sound as close to the real thing as possible. Therefore, you can forget that you are using a plugin and not an actual amplifier during the playing. In addition, you can immerse yourself in finding your tone even more with the emulation of guitar cabinets and microphones.
Which amplifiers you choose depends on the sound you’re out to achieve, but a useful tactic is to choose an amplifier and speaker combination that delivers a bright attack for one channel with perhaps a warmer sound that has more body to it for the other.
By mixing them using the amplifier output level controls, you should be able to get a solid sound that still has a well-defined attack. One often—overlooked feature of Logic’s guitar amplifiers is that if you click EQ above the tone controls, you’ll see a menu offering alternative EQ types, and they all sound distinctly different. If the amp sound is too dull or too edgy, try a different EQ.
It’s well worth experimenting with different amp and cabinet models. The virtual microphone position can also make a big difference to your final tone.
Amps load up with default choices of loudspeaker cabinet but again you can mix and match to get closer to the sound you’re looking for. Speakers make a huge difference to the sound and, in very general terms, the smaller speakers tend to sound thinner and brighter whereas the larger ones have more low end and less ‘edge’ to the sound. There’s also a huge difference between the various 12—inch speaker types, with the mic type and position offering yet more variation. As a rule, putting the mic close to the centre of the speaker cone gives the brightest sound whereas moving it away and to one side gives a warmer sound.
The SM57 model has a bright, slightly nasal character while the ribbon mic model has the warmest sound. For bluesy overdrive tones, adding just a small amount of dirt using a pedal at the input combined with a modest amount of amplifier gain will usually get you close to where you need to be.
For a clean sound I’ll often pick something like a Fender or Vox amp model on one channel and a clean preamp on the other channel, with the speaker emulation bypassed on the clean preamp channel.
Mixing a clean DI’ed sound with an amp emulation sometimes gets you a sweeter clean sound than using an amp emulation on its own. If you don’t want the two sounds panned hard left and right, you can use another instance of Logic’s Direction Mixer plug-in, after the Amp Designer, to narrow the stereo field or even collapse it to mono. Try using different delay settings for the left and right channels, to give you a wider guitar sound. Step 2: Logic is a perfect DAW for guitar recording, and comes preloaded with a mountain of guitar-tone modifying abilities.
These elements are the core of getting a great sound with Logic. Step 4: The Noise Gate is where you can determine the volume levels that are allowed to be captured and set at a determined threshold.
Top 10 Guitar Amp Plugins (And 5 Best FREE Guitar Amps) – Regarding this, is Logic Pro Amp Designer good?
Added bonus: It no longer craps out on low bass notes. This is a big update to a big program. In scenario after scenario, Logic offers a choice between a streamlined, iOS-influenced style and the previous approach. But the only way to tell for sure if either approach works for you is to try it out. There isn’t currently a trial version of Logic Pro X available online, but keep your eyes peeled at apple.
In the meantime, visit a pro-audio retailer or Apple Store to give Logic Pro X a listen and find out whether its guitar and bass tools meet your recording suite needs. On Come Morning , the Canadian duo wrestled with a gut-wrenching session gone wrong, dealt with new inspirations, and finally learned to let go.
One of the core ingredients that is essential to any Bros. Landreth album is also the most dreaded: abject fear and panic. Joey had plans to tour behind his Lowell George tribute album.
Naturally, all that went away. Tour dates were canceled, and bins of merch collected dust on the shelf. Once the duo came to terms with the uncertainty of their touring future, they immediately went to work on writing new tunes. But would it be for a solo record or another Bros. He lived in a year-old building in Winnipeg where he converted the dining room into a home studio. After starting that project, mostly in isolation, with programmed drums, he played the songs for David and thought the material might better be suited from a Bros.
The band found a window where travel was permitted and flew in a drummer from Edmonton to begin tracking the first half of the album. It almost killed us. After making the tough decision to scrap the sessions, Joey and David sat down and made a dream list of drummers they would want on the record. As the long-distance sessions progressed, Sterling meshed well into the creative process and even pushed the limits of what would typically be acceptable on a Bros.
Landreth record. Once the band brought in drummer Aaron Sterling, the project took shape and pushed the brothers into a new creative space. One thing that fans of the Bros. On his solo album Hindsight , a majority of the guitar tones were inspired by a very particular room reverb that Joey added pre-delay to in order to create a slapback effect.
Their particular recording booth at the studio sounded so good, they wanted to use it on far more than just guitar and bass tones. The resulting tone gave the illusion that it was recorded in a much bigger space. Typically, no matter where the journey takes Joey, he does have a few tried-and-true starting points.
Joey has also become well-known for his very particular setup on his guitars. He counts Derek Trucks and Sonny Landreth no relation as prime influences for moving to an open tuning. Setting up a guitar for slide goes far past simply deciding on a tuning—finding the right string gauges is just as important.
After moving up to a set of. He ended up with a custom set of Stringjoys that clock in at a whopping. I would use the word triumphant. So, is it a Bros. The brothers wear many hats including running their own record label, publishing company, and management company.
In celebration of 25 years of Reverend Guitars, the company is releasing two guitars and one bass with special anniversary cosmetics. Reverend Guitars is celebrating 25 years of building guitars with a modern-meets-vintage vibe.
Legendary guitar designer, Joe Naylor, designs all the guitars. Tech teams meticulously inspect, set up, and hand serial-number each guitar. Every guitar is crafted with a sense of purpose, whether you play in your bedroom or in an arena. More info at www. These models will only be available in The guitar was made from birdseye Belizean rosewood and heavy Sitka spruce.
Display built by Jody Betz. Think Minus the Bear in a box. Do you love Teles and wigglesticks? VegaTrem just gave us a quick look a the VT-2, which takes there rock-solid trem technology and applies it to T-style setups. Pricing is TBA, but look for them this fall. The Audient EVO16 is a fully featured recording solution that offers 8 inputs, phantom power, multiple headphone outputs, and an inventive Smart Gain feature that makes setting levels a snap.
The classic tone of the Rat has been shrunk into a micro-sized enclosure. It has the exact same circuitry and clipping as the original, just smaller. In order to save space they took out the battery option, but it still sounds as gnarly as ever. Blackstar spent the last two years developing a new line of ultra-powerful and ultra-light amps. The St James series offers two different setups 6L6 and EL84 that include a full 3-band EQ, dual channels, reverb, reactive load options, and deep editing via an app.
It has rosewood back and sides, a chunky neck, Sitka spruce too, and is the first artist model that’s aged to replicate the original. The Kaizen is an immaculately designed 7-string that sports a mini humbucker in the neck, Steinberger tuners, a multiscale neck with floating trem, and much more. Should be out in late summer with a price TBA. Ibanez and fusion stylist Tom Quayle extended their partnership with a singlecut signature model that’s loaded with a Seymour Duncan mini-humbucker in the neck and an Alnico Pro II in the bridge.
Gene Baker and b3 Guitars brought their mashed-up Telstar to the show. It pays obvious tribute to a pair of classic models, but this one features a 10! Gamechanger Audio’s new collaboration with Fender has resulted in a digital version of a seminal tremolo. The Bigsby pedal allows for both upward and downward polyphonic pitch bending in addition to adjusting the rate of the vibrato. It feels smooth and natural and makes the more extreme Bigsby moves much easier. It has dual outputs with phase and buffer switches on the side.
Should be out later this year. Rig Rundowns. Riff Rundowns. Apple should find the best YouTube content creator out there for Logic and just hire them to make videos. GarageBand is basically Logic Lite, and is good enough to handle what most people need. I used GarageBand on some of the tracks on my first album. You can open GarageBand projects in Logic, another brilliant move.
It really is that good. People are willing to drop two grand on a guitar but they want to save money on their computer, THE most important piece of studio gear?
For under a grand you could get a used two year old Mac and Logic Pro X and have everything you need. He has always loved music. You can find his music on iTunes. You can find his writing here. Check out our awesome YouTube channel! How-to videos and more. Much, much more. Listen on Apple Music Listen on Spotify. Instruments Logic comes with a very good sampler and several very good synths.
Audio Plugins Logic ships with a good collection of reverbs, delays, choruses, eq, etc and so on. Drummers Logic includes several virtual drummers. Mixing a clean DI’ed sound with an amp emulation sometimes gets you a sweeter clean sound than using an amp emulation on its own.
If you don’t want the two sounds panned hard left and right, you can use another instance of Logic’s Direction Mixer plug-in, after the Amp Designer, to narrow the stereo field or even collapse it to mono.
Try using different delay settings for the left and right channels, to give you a wider guitar sound. For those big rock solos, delay often works better than reverb, and if you put a Dual Mono version of Logic’s Tape Delay after the amplifier, you can then use the Deviation control to the right of the delay knob to shift the delay time slightly away from the tempo-locked value. I also tend to set the LFO modulation to be slightly different on the two sides too.
This could go anywhere after the amp plug-in, though I generally put it directly after the amp. Set each channel to percent wet, select the Timing mode as Pitch Tracking for one side and Manual for the other, then set the Manual channel’s Delay slider to around 15ms.
This spreads both the pitch and timing of the two amplifiers very slightly, producing a decent double-tracked sound. The Rotor Cabinet plug-in is great for adding a bit of warmth to your sound when set to its ‘Brake’ mode. Another useful trick that you can use if the finished guitar sound still comes across as too hard or edgy is to insert Logic’s Rotary Speaker plug-in, but set the speed control to its Brake position so there’s no modulation.
This adds a lovely warm character to the sound. You can experiment further by changing the rotary speaker type in the box just above and to the left of the picture of the speaker.
They all sounds very different, though I usually find that one of the the first three sounds best. If you’re an old hippy like me, turn the speaker motor back on and enjoy the swirls. I’m sure there are lots of other strategies that can be employed to create usable guitar tones — after all, every guitarist has their own ideal sound in their head, which is what makes the electric guitar a truly unique instrument. The ones described here work for me most of the time and when I come up with a chain of plug-ins that gives me a useful sound, I save it as a channel preset so I can call it up again when needed.
If you were disillusioned by the presets, give these simple techniques a try as I’m sure you’ll come up with something useful. Buy PDF version. Previous article Next article. New forum posts Re: Anyone ever used a Nail Bar? Advice on getting my guitar serviced.
