The tag can be sent as part of the free MongoDB Cloud monitoring registration at start up. The option has no effect starting in MongoDB 4. The log message verbosity for components related to tiered storage operations performed by the WiredTiger storage engine.
Apple introduces Final Cut Pro X with support for VR, HDR
In Compressor, the Prepare for HTTP Live Streaming destination and the AAC setting use the MPEG-4 Manual: Forces the output to a specific resolution. In Compressor, the built-in MPEG Files setting encodes MPEG-2 stream files Program streams require an error-free delivery method and are primarily used.
Apple compressor 4.4 manual free. Apple Compressor 4.4.4 Crack BETTER MacOS MacOSX
In Compressor, the Prepare for HTTP Live Streaming destination and the AAC setting use the MPEG-4 Manual: Forces the output to a specific resolution. In Compressor, the built-in MPEG Files setting encodes MPEG-2 stream files Program streams require an error-free delivery method and are primarily used.
Compressor (software) – Wikipedia
Apple has announced a major update to its professional video editing app, Final Cut Pro X, with new features including degree VR video editing, advanced colour grading tools and support for High Dynamic Range HDR video. Optimised to take full advantage of the incredible performance capabilities of the all-new iMac Pro, Final Cut Pro users can now edit full-resolution 8K video for the first time on a Mac. Users can easily add degree titles in 2D or 3D; apply blurs, glows and other immersive effects; and use visual controls to straighten horizons or remove camera rigs from equirectangular videos.
Standard photos and videos can also be added to VR projects and degree video can be shared directly to popular websites including YouTube, Facebook and Vimeo. The update also includes powerful tools for professional colour grading. Unique colour wheels feature built-in controls to adjust hue, saturation and brightness.
Colour curves allow for ultra-fine colour adjustments with multiple control points to target specific colour ranges, and eye droppers let users sample specific colours and apply manual white balance. With support for the most popular HDR formats, Final Cut Pro gains access to an expanded range of brightness levels to deliver incredibly realistic images.
Additional Features in Final Cut Pro Updated audio effects plug-ins from Logic Pro X with redesigned, resizable interfaces. Motion 5. The update also makes it easy to convert between any type of Motion project at any time, create realistic spring-loaded animations with the new Overshoot behaviour and apply photographic-inspired looks with new filters.
Compressor 4. Click on Deccan Chronicle Technology and Science for the latest news and reviews. Follow us on Facebook , Twitter. This is the default setting. Pass through source file metadata: Passes the existing metadata from the source file to the transcode. Ignores Job Annotations listed in the Job Inspector. Include metadata from the source file that cannot be displayed as a job annotation: Available when Use Job Annotations is selected.
Includes the metadata from the Job Annotations listed in the Job Inspector and passes the existing metadata from the source file to the transcode. Some video properties are enabled only for codecs that support them. Frame size: Use this pop-up menu to set the frame size resolution for the output file. There are four categories to choose from:. Pixel aspect ratio: Use this pop-up menu to set the pixel aspect ratio the ratio between the encoded width and the display width.
Frame rate: Use this pop-up menu to set the playback rate the number of images displayed per second for the output file. See Retiming options in Compressor. Field order: Use the pop-up menu to set the output scanning method either the field dominance or a conversion to progressive scanning. There are four options:. Automatic: Selects the most appropriate field order, based on the field order of the source and the capabilities of the selected codec. Progressive: The video is displayed in complete frames with all lines sampled at the same instant in time.
Top First: The video is interlaced and displayed as two separate interleaved fields. The field containing the top line even lines is sampled at an earlier instant in time than the field containing the bottom line odd lines. This field order is commonly used for high-definition video and standard-definition PAL video. Bottom First: The video is interlaced and displayed as two separate interleaved fields.
The field containing the bottom line odd lines is sampled at an earlier instant in time than the field containing the top line even lines.
This field order is commonly used for standard-definition NTSC video. Color space: Use this pop-up menu to convert the source media to a new color space , including wide color gamut. Choose Automatic to allow Compressor to choose the best color space based on the selected preset. You can also choose a manual setting to override the default. Choose Automatic to allow Compressor to choose the conversion method.
Select a custom LUT to transform your video from one color space to another. Cinematic: Use this pop-up menu, available in macOS Monterey 12 or later, to specify how to handle metadata in video that was recorded in Cinematic mode on iPhone models that support Cinematic mode video. There are two options:. Ignore: Ignores any Cinematic mode metadata in the source file. If the source file contains no Cinematic mode metadata, Ignore is selected and the menu is dimmed.
Encoder type: Use this pop-up menu to set the type of encoder. Choose from two options:. Faster standard quality : Encodes the output file using a faster codec, with standard quality. Slower higher quality : Encodes the output file using a slower codec, with higher quality. Profile: Use this pop-up menu to set the quality of compression used in the output file.
When Codec is set to H. High: Provides high-quality output, which may not be compatible with older H. Main: Similar to the Baseline profile, with additional support for standard-definition SD video requirements. When Codec is set to HEVC, the Profile pop-up menu sets the color depth of the output file the number of bits used to represent color in each color channel—red, green, and blue. Because this option uses software encoding, performance may be significantly slower than 8-bit hardware encoding.
Entropy mode: When Codec is set to H. Keyframe interval: Enter a value in the text field to set the key frame interval number of frames at which you want keyframes created in your output file. Alternatively, you can select Automatic to have Compressor choose the frame rate the displayed value is 0 with Automatic on; the actual value is determined during the encoding process.
Data rate: Use this pop-up menu to choose a data rate for your video based on any of four options:. Custom: Setting data rate to Custom enables a value field that limits your video signal to a set number of kilobits per second kbps.
Higher rates allow higher-quality video but generate larger files that are slower to download or transmit. Web publishing: Creates a smaller file of lower quality suitable for hosting on a website. Available only for H. Important: When you set a data rate, you override other codec quality properties because the codec compresses the file as much as it needs to based on its data-rate limit.
Quality: Use this slider to set the quality level of your output. Select from least smaller file size to best larger file size. Multi-pass: Select this checkbox to turn on multi-pass encoding that uses additional analysis of video frames to produce a high-quality output file.
Multi-pass is available when Codec is set to H. Include Dolby Vision 8. Dolby Vision 8. Allow frame reordering: Select this checkbox to potentially provide a better-quality output file by allowing Compressor to reorder video frames during transcoding. This option is available only when Codec is set to H.
Automatic: Compressor chooses the metadata format based on the properties in the Job inspector and the transcode setting you applied. The format chosen is listed to the right of the pop-up menu. Cropping removes video content from an image. For more information about these properties, see Intro to modifying frame size in Compressor.
You can also rotate and flip the final output image in Compressor using the Rotation and Flip properties. These allow you to rotate a widescreen image to be vertical, or to reverse the image horizontally, vertically, or both. Cropping: This pop-up menu sets the dimension of the output image.
The custom option allows you to enter your own image dimensions in the fields; other options use predetermined sizes. The Letterbox Area of Source option detects image edges and automatically enters crop values to match them. This is useful if you want to crop out the letterbox area the black bars above and below a widescreen image of a source media file.
The custom option allows you to enter your own scaling dimensions in the fields; other options use predetermined dimensions. Rotation: Use this pop-up menu to set the rotation of the output image. You can choose to rotate your image 90 degrees, degrees, or degrees. This is useful in situations in which a camera was oriented incorrectly when capturing the video.
The default rotation is None. Flip: Use this pop-up menu to flip the output image. This is useful if you want the output image to mirror the input image horizontally, vertically, or both. Note: the Rotation property is always applied before the Flip property, which can change the specific Flip option to use in an output image you also rotate. The following properties determine how Compressor resizes, retimes, and otherwise adjusts the video when transcoded:.
Nearest Pixel Fastest : Samples the nearest neighboring pixel when resizing an image. This option provides the fastest processing time, but it is more likely to show aliasing artifacts and jagged edges. Linear: Adjacent pixel values are averaged using a linear distribution of weights. Produces fewer aliasing artifacts than Nearest Pixel, with a small increase in processing time.
